Monday 29 July 2024

Four Seasons In Japan, by Nick Bradley

 


Full disclosure - I read this book in the spring, and this would be a better review if I'd done it then - but there we are, I didn't, so I'll just have to do the best I can. This is the first book I've reviewed here for quite some time, and I want to kick off with a book I really enjoyed - and I liked this one so much that I've already given/recommended it to several friends.

First off, let's look at the cover - because it very much reflects the feel of the book inside. Its lines are clear and elegant: it's beautifully balanced: it exudes calmness and a contemplative feel. The branch at the top bears autumn leaves: the one at the bottom, spring blossom. The title, in a simple, clean font, stands out against the large moon, which in turn is suspended against a blue sky. So we know that nature and the turn of the seasons are going to be important. And the cat? Well, there is a cat in the novel, but this is also a nod to the author, whose first book was called The Cat and the City, and who did a PhD on the cat in Japanese literature. (Though Nick Bradley is English, incidentally, he spent many years in Japan.)

The book has two interlinked stories going on. It starts with Flo, a translator who is going through a difficult time in her personal life - her relationship with Yuki, her Japanese girlfriend, is breaking down, and she isn't handling it very well. 

And then she finds a book which someone has left on her train. It's called The Sound of Water, by Hibiki. She's never heard of the author or rhe publisher - and it has been rather beautifully published. She begins to read.

The story is about a tough old woman called Ayako, who lives in a small country town called Onomichi. We learn pretty soon that her husband and son are both dead, and that her son committed suicide. We learn that she owns a small coffee shop, and that she loves the familiar routine of her days, and her small circle of friends. But something has happened which she knows will disturb that routine: she has had a message from her daughter-in-law to say that her grandson is coming to stay. Throughout the day, the prospect niggles at her: it seems she does not know her grandson well, and is not looking forward to his visit.

He isn't either. He feels he's being sent into exile from the city because he's failed his exams, and the prospect horrifies him. 

At first things don't go at all well between them. But gradually, as one season changes to the next, their relationship develops. Kyo, the boy, learns a great deal - about his father, about the past, about life. And Ayako learns things from Kyo, too.

Flo is fascinated by the story and decides she wants to translate it. But she must first find the author to get his permission - and that turns out to be no easy task.

There's so much more to the book than this. In fact, glancing through the first few pages, I find myself being drawn again into this world, which is so different from my own - particularly that of Kyo and Ayako: I find them more likeable characters than Flo (who could perhaps do with a dose of Ayako's tough love) - and I decide I will read the novel again.

Oh, and the cat has one eye and is called Coltrane. And there are pictures. It's a really lovely book.

1 comment:

  1. This sounds interesting. I'm reading a Somerset Maughan for a change, may give this a go later.

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