'Jelly', by Jo Cotterill

Today, a review. It's always difficult to assign an age range to a book, but I'd say this is somewhere in the region of 10+. It's a beautifully written story about an interesting and complex character, who happens also to be overweight. This doesn't govern her life, but it certainly affects the way she behaves: she finds a way to cope with it, but it doesn't quite do the trick...

This is a thoughtful novel - funny, but with very serious undercurrents - about Angelica, who is known as Jelly (not only because it's short for Angelica). Jelly is the narrator, and just as in class she plays the comedian to deflect attention from her weight, she acts a part for the reader too, often trying to convince us that she really doesn't care about being teased or not being able to wear the kind of clothes her slimmer friends wear - though her hurt does show through. Jo Cotterill handles this very adeptly, using poems which Jelly writes in secret to express her real feelings.

But the poems also play a crucial part in the plot, which of course I won't reveal. But trust me, it's cleverly done.

Jelly's mum is single, slim and pretty, but seems to have bad taste in boyfriends - until she meets Lennon, a musician. Lennon is a lovely character. He is genuinely interested in Jelly, and turns out to be good for both her and her mother - which is actually a delightful surprise: writers often take delight in throwing at their hero or heroine every misfortune they can think of, so when Lennon first appears, you take a deep breath and wait for him to turn out to be deeply unpleasant beneath the charming exterior. But it doesn't happen, and I found this really refreshing: Jo Cotterill is good at upending the reader's expectations.

Jelly is a brilliantly realised character. She's clever, she gets on with people, and she knows how to deflect attention so that she won't be bullied. There are times when it could happen, but she swerves to avoid it: for example, when she's playing football - which she's good at - she gets annoyed with another player and makes a mistake. Will, another player, teases her: "You're like the Hulk, Jelly. He lets his anger get the better of him too." The ball comes at her and she falls awkwardly. Will laughs raucously, and even her friend is smiling. She could get angry, but instead, she deflects: she clowns another fall and says, "Did you see that? I was like a hippo falling off a cliff!" The others laugh, so it's worked: but 'something twinges painfully inside me, but I keep going because they're laughing.'

Even the teachers, to start off with, are amused by her antics. But somehow things start to unravel, and she goes too far and it all goes wrong.

There was one thing that I felt a little puzzled by. Jelly wants to be judged for herself - of course she does, and quite rightly so. But clearly, being overweight makes life difficult for her, and I wondered sometimes why her mother seemed not to see this, buying her doughnuts for treats and so on. A point to discuss - but only one of many: this would be a brilliant book to read with early or pre-teens: a very good read, and one with lots of layers.

Mr B's Emporium of Reading Delights

Mr B’s, in case you haven’t heard of it, is a wonderful independent book shop in Bath. I’m about an hour away from Bath, and my nearest bookshop is a small Waterstones - so Mr B’s isn’t exactly my local.

But a couple of weeks ago, I spent a whole afternoon there. The reason? Last Christmas, one of my children gave me a truly magnificent present: it’s called a Reading Spa - in my view, just so much better than the other kind of spa!

What happens is this. You turn up at the shop - which is a characterful series of little rooms, linked by narrow staircases and with a surprise round every corner - and meet your designated ‘bibliophile’. You will already have given a few details about yourself and your reading habits over the phone when you made your appointment. You go upstairs, and sit in comfortable armchairs with tea or coffee and a delicious cake - and then you talk books, for an hour and a half! First you talk in more detail about the kind of thing you like, then your guide - for me, the delightful and very expert Amy - goes off to choose a selection of books for you to choose from - you have £55 to spend.

A corner of the children's department.

There’s so much that’s good about this. It’s a joy just to talk about books with someone else who loves books just as much as I do. And Amy produced a pile of books that I hadn’t come across. She introduced each one, explaining what it was about and why she thought I might like it - in some cases, she’d enlisted the help of colleagues. It was actually very difficult to choose. Eventually I ended up with a pile of ‘definites’ and another of ‘maybes’, and Amy promised to email me a list of the ‘maybes’. 

I left with my books, a bag, a mug, and a voucher towards my next purchase from Mr B’s. And I’ll certainly use it. I think the Reading Spa is an excellent idea, and Mr B truly is an Emporium of Reading Delights. 

And the books I chose? Here they are. 

I plan to write about them here as I read them. 

With many thanks, to Richard (my son), and Amy, from Mr B’s.

Eleanor Oliphaunt is Completely Fine, by Gail Honeyman

This book has absolutely rightly done really well, so probably lots of you have read it already. And I can’t say mouth about it because it would spoil its unexpectedness. But I’ve just finished it so I want to acknowledge it and say how much I enjoyed it.

It’s about a young woman who at the beginning of the book has very little in her life, and is convinced that’s how she likes it. She lives alone, has a job she tolerates with people who puzzle her, and can only get through the weekends by drinking copious amounts of vodka alone in her flat. But gradually things begin to change, and we find out, bit by bit, why she is in this state.

It’s sad, shocking, but also very funny. I feel better for having read it.

Assassin's Fate, by Robin Hobb

First, let's just take a look at the cover. Isn't it perfectly luscious? It's by Jackie Morris, who recently collaborated with Robert MacFarlane on a beautiful book called Lost Words, which seeks to reclaim - particularly for children - words to do with nature which are apparently no longer widely familiar.

That book is wonderful, but let's get back to this one, which I finished last night. (There were tears, but more of that later.) The bee represents a child called Bee, who has been kidnapped and taken to an island called Clerres, whose white stronghold is also pictured. If you look closely, you'll see in the decoration of the letter 'A' two candles; Bee carries with her a candle, broken into two, which was made by her mother, now dead. She dreams about candles too, and about lots of other things. This dreaming is important, and it's part of the reason she's been kidnapped.

It's a very fat book, and it's the last in a very long series, which features Bee's father, Fitz, and his 'friend' (it's not the right word, but it's difficult to really explain their relationship without telling too much of the story), the Fool. It's fantasy, and I don't often read fantasy (although some of my favourite books in the past have been fantasy, notably The Lord of the Rings and The Dark Is Rising). I got into this one because several writer friends whose opinions I respect had enthused about it. When I downloaded the first one, I read a few pages and decided I couldn't be bothered to get into this world. Months later, for some reason, I decided to have another go - and I was hooked.

Robin Hobb is a brilliant writer. Not only does she create a complex fantasy world: she peoples it with richly realised characters who you really care about, she tells a story that hooks you in and won't let you go as few people can - and somehow, she keeps all the zillions of narrative threads in her fingers, over thousands upon thousands of pages, and weaves them together with the utmost skill. One example - the first few books concern Fritz and the Fool, and their lives in the Six Duchies. The next sequence deals with an entirely separate country, the Rainwilds, and its neighbours the Bingtown Traders, who possess the extraordinary liveships, which are sentient and have talking, moving figureheads. It's not at all obvious that these two sets of stories are connected, except by virtue of taking place in different parts of the same fantasy world - but in the next sequence, you discover that they are in fact intimately connected. It's just so clever - I have no idea how she manages to keep all those plates spinning.

The way she manages to bring it all together and explain most - not all - of the mysteries, in this last book, is an absolute tour-de-force. And it's so sad at the end - sad because of what happens, but also because you know you're saying goodbye to all of the characters. (Unless - unless - she changes her mind. There are stories still to be told...)

In the meantime, I may just have to go back to the beginning and start all over again.

Soothing things

Have been rather busy lately, which is why I haven't been here much. But today I felt in need of a bit of soothing, so instead of looking at emails or the news, I started to look through my photos. And they very quickly began to do the job - with a little help from William Wordsworth and John Masefield.

Here's the first. I took it one day last week, when I went for a walk round the reservoir. It was a beautiful afternoon: bright, cold and very windy. The picture is actually deceptive because it makes the water look calm - in fact, it was turbulent, full of restless energy: so much so that it seemed alive, prowling and predatory. It made me think of that bit from Wordsworth's Prelude - though, as I discovered when I looked it up, he was actually talking about a mountain, not a lake:

..............................................the huge Cliff
Rose up between me and the stars, and still,
With measur'd motion, like a living thing,
Strode after me.

And a little further on:

But huge and mighty Forms that do not live
Like living men mov'd slowly through my mind
By day and were the trouble of my dreams.

And here's the next: a picture of the Bristol harbourside.

I was heading towards the ss Great Britain, which has something fresh to see every time I go. But this, below, is an old favourite, not a new one: on the door of each cubicle in the loos is an extract from a poem to do with the sea. This is one. It seemed the perfect accompaniment to Bristol, as well as to Brunel's beautiful ship. And I like the last line, which says that by travelling, we may 'know the thoughts of men in other lands'. It's what we need, but often signally fail to do: to know the thoughts of others.

And finally a picture from the dear old hill, and one from the Avalon Marshes: and a final thought from Wordsworth's poem, Lines Written Above Tintern Abbey.

...........with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

Thank you, John and William.

Midwinter Magic

A few weeks ago, in December, I read The Snow Child by Eowyn Ivey. I thought it was a wonderful book - I've written about it below. It's set in Alaska, and just as I finished it, I glanced out of the window - it was early morning, and still dark - and in the light of a street lamp, I saw that it had just begun to snow. It seemed quite magical.

Shackleton's Antarctic Expedition: photo by Frank Hurley

Since then, I seem to have been in thrall to books set in the frozen north - or, well, in frozen Britain. I read Susan Price's Ghost Drum series, set in the snowy north of Russia (again, scroll down); then, in company with lots of fans all over the world, I re-read Susan Cooper's The Dark Is Rising. This, if you've not read it, tells the story of Will Stanton, who, one mid-winter, finds out that he is not just an ordinary boy, but the last of the Old Ones, whose task it is to fight in a battle against the Dark. As the struggle begins, the snow falls, until it is so thick that normal life goes into abeyance.

It turns out that Robert MacFarlane is a great fan, and he suggested on Twitter that people should re-read it during the season in which it is set, and discuss it. Lots of artists took part too, and posted marvellous illustrations - it was great!

Then I went on to Stef Penney's Under A Pole Star. I'd had this on my Kindle for a while, but somehow it hadn't been the right time to read it. Now it was. Set in the late 19th century, it's about Flora, the daughter of a whaler, who yearns to get back to the Arctic where she went to as a child with her father. There she meets Jakob de Beyn, an American geologist and explorer, and the two, already both in love with the Arctic, fall deeply and irretrievably in love. Unfortunately, there is a third player in their story, Lester Armitage: a driven and dangerously ambitious explorer. Things don't end well. It's a vivid evocation of the frozen landscape and of the Inuit people who are Flora's friends, and it's cleverly told in several different stories and two different timescales.

Following that, I headed east to Iceland and read two detective books by Ragnar Jonasson, Black Out and Rupture. I read the first two in the series some time ago; they're about a young policeman called Ari Thor, and like most good detective series, they're as much about the lives of the characters as about the crimes that have been committed. And, naturally enough, there's a lot of snow.

And now I'm nearing the end of another book by Eowyn Ivey, called To the Bright Edge of the World, also set in Alaska. But more of that next time.

What is the fascination of the poles? (I just heard on the radio of a musician who is about to set off to the Arctic to be a song-writer in residence, so it's not just me!) I remember when I was a child reading in a big, dark red encyclopaedia, called The Children's Wonder Book or something similar, about the Aurora Borealis, the Northern Lights, and thinking how much I'd like to see them. (I still would.) And I'm fascinated by the eerie beauty of the photographs of Ernest Shackleton's Antarcticexpedition; I have a book about them.

Of course, I could go. These days it's quite easy - not as it was for Flora, Jakob and Shackleton. Perhaps one day I will. But in the meantime, how delightful it is to read about extremes of cold while curled up in front of a warm fire - to hear the call of the icy wastes, but to leave it for others to answer.

PS Some feedback, please: do you prefer the font smallish, like this, or larger, like the post below? Thanks.

Ghost Drum, by Susan Price

I've just finished reading Ghost Drum, which was originally published by Faber in 1987 and won the Carnegie Medal. So it's thirty years old - but it doesn't feel it. It feels intensely fresh and vivid.

Like The Snow Child, it has its roots in Russian folklore. And like Northern Lights and La Belle Sauvage, it features a shaman - well, several - and the ghost drum itself has a good deal in common with Pullman's alethiometer. I had been thinking how interesting it is that serendipity often leads you to books that link up with the one you've just read - but I guess it's actually the other way round: Ghost Drum had been on my Kindle for a little while, and I was prompted to read it because I vaguely realised that it had links with The Snow Child and with La Belle Sauvage.

But it's a very different book from either of those. It's like a piece of embroidery, worked with rich jewel colours on a piece of dark velvet, intense and vivid. It's remarkable.

I was going to write a proper review, but I came across this one by Julia Jones, and it says everything I would have said and more, so I'm just going to point you towards it here.

But one last thing. This book won the Carnegie, and it's wonderful - but it's out of print with traditional publishers. (Though Susan Price has published it independently herself, together with its two sequels.) Why is it out of print? I can just see the three books bound together and illustrated, perhaps with woodcuts - it would make a beautiful book!